02R96VCM Digital Mixing Console 단종

		02R96VCM
Outline
Mixing capability	Mixing channels	56
	Input channel functions	Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan
	Output channel functions	Attenuator, 4-band PEQ, Compressor, Delay
	On-board processors	4x SPX multi effectors
I/O	Phantom power	+48V DC; ON/OFF per channel
	Digital I/O	3x 2tr in/out, Cascade I/O
	Control and others	To Host(USB/Serial), Control(GPI), MIDI, Time code in (SMPTE/MTC), Word clock I/O
개요
믹싱 기능	GROUP	8
	AUX	8
	MAIN	Stereo
I/O	마이크 입력	16
	라인 입력	4x Stereo, 2x 2tr in
	AD 컨버터	24-bit; 128-time over sampling
	라인 출력	Stereo output, Studio monitor output, C-R monitor output, 8x Omni output
	DA 컨버터	24-bit; 128-time over sampling
	확장 슬롯	4x Mini-YGDAI (16-in/16-out)
General specifications
Internal processing		32bit, Accumulator: 58bit
Sampling frequency rate	Internal	44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Sampling frequency rate	External	44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%)
Signal delay		Less than 2.0ms (@48kHz), Less than 1.1ms (@96kHz)
Total harmonic distortion		Less than 0.05% (20Hz-40kHz)
Frequency response		0, +0.5, -1.5dB 20Hz-40kHz
Dynamic range		DA: 110dB; AD+DA: 105dB
Hum & noise level	Equivalent input noise	-128dBu
Hum & noise level	Residual output noise	-92dBu
Crosstalk		-80dB
Power requirements		AC100V, 120V, 220-240V 50/60 Hz
Power consumption		200W
Dimensions	W	667mm; 26-1/4in
	H	239mm; 9-7/16in
	D	697mm; 27-7/16in
Net weight		34kg; 75lbs
Accessories		Owner’s Manual, Studio Manager Installation Guide, AC power cord

Library

Effect libraries (EFFECT1-4)	factory presets user libraries	52(EFFECT3-4 :44) 76
Compressor libraries	factory presets user libraries	36 92
Gate libraries	factory presets user libraries	4 124
EQ libraries	factory presets user libraries	40 160
Channel libraries	factory presets user libraries	2 127
Surround Monitor libraries	factory presets user libraries	1 32
Input patch libraries	factory presets user libraries	1 32
Output patch libraries	factory presets user libraries	1 32
Bus to stereo libraries	factory presets user libraries	1 32

Analog input characteristics

Input terminal	PAD	GAIN	Actual load impedance	For use with nominal	Input level			Connector
Input terminal	PAD	GAIN	Actual load impedance	For use with nominal	Sensitivity	Nominal	Max. before clip	Connector
CH INPUT A/B 1-16	0	-60dB	3kohms	50-600ohms Mics & 600ohm Lines	-70dB	-60dB	-46dB	A:XLR3-31 type (Balanced) B:TRS phone jack (Balanced)
	0	-16dB			-26dB	-16dB	-2dB
	26	-16dB			0dB	+10dB	+24dB
CH INPUT 17-24		-34dB	4kohms	600ohm Lines	-44dB	-34dB	-20dB	TRS phone jack (Balanced)
CH INPUT 17-24		+10dB	4kohms	600ohm Lines	0dB	+10dB	+24dB	TRS phone jack (Balanced)
CH INSERT IN 1-16			10kohms	600ohm Lines	-6dB	+4dB	+18dB	TRS phone jack (Balanced)
2TR IN ANALOG1(L,R)			10kohms	600ohm Lines	+4dB	+4dB	+18dB	TRS phone jack (Balanced)
2TR IN ANALOG2(L,R)			10kohms	600ohm Lines	-10dBV	-10dBV	+4dBV	RCA pin jack (Unbalanced)

* 0dB=0.775 Vrms
* 0dBV=1.00 Vrms.
* +48V DC(phantom power) is supplied to CH INPUT(1-24) XLR type connector via each individual switch.

Analog output characteristics

Output terminal	Actual source impedance	For use with nominal	GAIN SW *	Output level		Connector
Output terminal	Actual source impedance	For use with nominal	GAIN SW *	Nominal	Max. before clip	Connector
STEREO OUT(L,R)	600ohms	10kohm Lines	-	-10dBV	+4dBV	RCA pin jack (Unbalanced)
STEREO OUT(L,R)	75ohms	600kohm Lines	-	+4dB	+18dB	XLR3-32 type (Balanced)
STUDIO MONITOR OUT(L,R)	150ohms	10kohm Lines	-	+4dB	+18dB	TRS phone jack (Balanced)
C-R MONITOR OUT(L,R)	150ohms	600kohm Lines	-	+4dB	+18dB	TRS phone jack (Balanced)
OMNI OUT 1-8	150ohms	10kohm Lines	+18dB (default)	+4dB	+18dB	TRS phone jack (Balanced)
OMNI OUT 1-8	150ohms	10kohm Lines	+4dBV	-10dBV	+4dBV	TRS phone jack (Balanced)
INSERT OUT 1-16	600ohms	10kohm Lines	-	+4dB	+18dB	Phone jack (Unbalanced)
PHONES	100ohms	8ohm Lines	-	4mW	25mW	ST phone jack (Unbalanced)
PHONES	100ohms	40ohm Lines	-	12mW	75mW	ST phone jack (Unbalanced)

* +18dB, +4dBV selectable (Internal SW)
0dBV=.00 Vrms.
0dB=0.775 Vrms.

Digital input characteristics

Terminal		Format	Data length	Level	Connector
2TR IN DIGITAL	1	AES/EBU	24bit	RS422	XLR3-31 type (Balanced)
	2	IEC-60958	24bit	0.5Vpp/75ohms	RCA pin jack
	3	IEC-60958	24bit	0.5Vpp/75ohms	RCA pin jack
CASCADE IN		-	-	RS422	D-sub Half Pitch Connector 68P (female)

Digital output characteristics

Terminal		Format	Data length	Level	Connector
2TR OUT DIGITAL	1	AES/EBU (Professional use)	24bit	RS422	XLR3-31 type (Balanced)
	2	IEC-60958 (Consumer Use)	24bit	0.5Vpp/75ohms	RCA pin jack
	3	IEC-60958 (Consumer Use)	24bit	0.5Vpp/75ohms	RCA pin jack
CASCADE OUT		-	-	RS422	D-sub Half Pitch Connector 68P (female)

Effects

No.	Preset Name	Type	Description
01	Reverb Hall	REVERB HALL	Concert hall reverberation simulation with gate
02	Reverb Room	REVERB ROOM	Room reverberation simulation with gate
03	Reverb Stage	REVERB STAGE	Reverb designed for vocals, with gate
04	Reverb Plate	REVERB PLATE	Plate reverb simulation with gate
05	Early Ref.	EARLY REF.	Early reflections without the subsequent reverb
06	Gate Reverb	GATE REVERB	Gated early reflections
07	Reverse Gate	REVERSE GATE	Gated reverse early reflections

Delays

No.	Preset Name	Type	Description
08	Mono Delay	MONO DELAY	Simple mono delay
09	Stereo Delay	STEREO DELAY	Simple stereo delay
10	Mod.Delay	MOD.DELAY	Simple repeat delay with modulation
11	Delay LCR	DELAY LCR	3-tap (left, center, right) delay
12	Echo	ECHO	Stereo delay with crossed left/right feedback

Modulation-based Effects

No.	Preset Name	Type	Description
13	Chorus	CHORUS	Chorus
14	Flange	FLANGE	Flanger
15	Symphonic	SYMPHONIC	Original Yamaha effect that produces a richer and more complex modulation than normal chorus
16	Phaser	PHASER	16-stage stereo phase shifter
17	Auto Pan	AUTO PAN	Auto-panner
18	Tremolo	TREMOLO	Tremolo
19	HQ. Pitch	HQ.PITCH	Mono pitch shifter, producing stable results
20	Dual Pitch	DUAL PITCH	Stereo pitch shifter
21	Rotary	ROTARY	Rotary speaker simulation
22	Ring Mod.	RING MOD.	Ring modulator
23	Mod.Filter	MOD.FILTER	Modulated filter

Guitar Effects

No.	Preset Name	Type	Description
24	Distortion	DISTORTION	Distortion
25	Amp Simulate	AMP SIMULATE	Guitar amp simulation

Dynamic Effects

No.	Preset Name	Type	Description
26	Dyna.Filter	DYNA.FILTER	Dynamically controlled filter
27	Dyna.Flange	DYNA.FLANGE	Dynamically controlled flanger
28	Dyna.Phaser	DYNA.PHASER	Dynamically controlled phase shifter

Combination Effects

No.	Preset Name	Type	Description
29	Rev+Chorus	REV+CHORUS	Reverb and chorus in parallel
30	Rev->Chorus	REV->CHORUS	Reverb and chorus in series
31	Rev+Flange	REV+FLANGE	Reverb and flanger in parallel
32	Rev->Flange	REV->FLANGE	Reverb and flanger in series
33	Rev+Sympho.	REV+SYMPHO.	Reverb and symphonic in parallel
34	Rev->Sympho.	REV->SYMPHO.	Reverb and symphonic in series
35	Rev->Pan	REV->PAN	Reverb and auto-pan in series
36	Delay+Er.	DELAY+ER.	Delay and early reflections in parallel
37	Delay->Er.	DELAY->ER.	Delay and early reflections in series
38	Delay+Rev	DELAY+REV	Delay and reverb in parallel
39	Delay->Rev	DELAY->REV	Delay and reverb in series
40	Dist->Delay	DIST->DELAY	Distortion and delay in series

Others

No.	Preset Name	Type	Description
41	Multi.Filter	MULTI.FILTER	3-band parallel filter (24 dB/octave)
42	Freeze	FREEZE	Simple sampler
43	Stereo Reverb	ST REVERB	Stereo reverb
44 *¹	Reverb 5.1	REVERB 5.1 *²	6-channel reverb for 5.1 surround
45 *¹	Octa Reverb	OCTA REVERB *²	8-channel reverb for 7.1 surround
46 *¹	Auto Pan 5.1.	AUTO PAN 5.1	6-channel auto pan for 5.1 surround
47 *¹	Chorus 5.1	CHORUS 5.1	6-channel chorus for 5.1 surround
48 *¹	Flange 5.1	FLANGE 5.1	6-channel flanger for 5.1 surround
49 *¹	Sympho. 5.1	SYMPHO. 5.1	6-channel symphonic effect for 5.1 surround
50	M.Band Dyna.	M.BAND DYNA.	Multi-band dynamics processor
51 *¹	Comp 5.1	COMP 5.1 *²	Multi-band compressor for 5.1 surround
52 *¹	Compand 5.1	COMPAND 5.1 *²	Multi-band compressor for 5.1 surround
53 *³	Comp276	—	—
54 *³	Comp276S	—	—
55 *³	Comp260	—	—
56 *³	Comp260S	—	—
57 *³	Equalizer601	—	—
58 *³	OpenDeck	—	—
59 *³	REV-X Hall	—	—
60 *³	REV-X Room	—	—
61 *³	REV-X Plate	—	—

*1 These effects can be recalled only to Effects processors #1.

*2 Since these effects types require four DSPs, the total number of effects processors is reduced by three when one of these types is used. For example, if REVERB 5.1 is used with effects processor #1, processors 2-4 are unavailable.

*3 Preset numbers are reserved for Add-On Effects. Effects that are not installed appear in gray and are unavailable for use.