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Yamaha 기타의 역사를 이끌어온 주요 기타를 소개합니다.
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1966FG180: Yamaha 최초의 일본산 포크 기타
Yamaha’s first folk guitar delivered to global markets. Rather than copying overseas models, the development team used a proprietary design based on human engineering.
See details on this product in the museum1966SG-2/3: Yamaha 최초의 일렉트릭 기타Yamaha’s first electric guitars officially launched in April 1966 under the names S302 and S201, which were changed one month later to SG-3 and SG-2. They featured original designs for the tremolo unit, neck joint system, and pickups, demonstrating Yamaha's penchant for individuality and innovation from our very first models.
See details on this product in the museum1966SG-7: Yamaha의 60년대 상징적인 일렉트릭 기타Our flagship model with a distinctive body that came on the market as electric guitars started to boom in popularity.
1966SB-2: Yamaha 최초의 일렉트릭 베이스 기타Yamaha’s first electric bass launched in April 1966. It started out as the B201 and changed its name one month later to SB-2, a name shared with our first electric guitar. Its scale length was 850 mm (33-1/2").
1966No. 250/500: Yamaha 최초의 기타 앰프Yamaha’s first guitar amps launched in 1966. Two combo amp models at 25 W and 50 W. Model numbers were later changed from No. 250 to TA25 and No. 500 to TA50.
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1967Yamaha 최초의 클래식 기타 시리즈
Crafted by luthiers with direct training in traditional techniques from famed Spanish master Eduardo Ferrer, these guitars exude the original and authentic Spanish style of guitar craftsmanship.
1967TA 시리즈 기타 앰프New models of Yamaha’s first guitar amps, No. 250 (TA25) and No. 500 (TA50). These combo amps were distinguishable by their speaker enclosures.
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1968Yamaha 최초의 플라멩코 기타 시리즈
Yamaha’s first flamenco guitars derived from the GC-5, 7, and 10 and crafted by luthiers learned in traditional flamenco techniques by the famous E. Ferrer.
1968SA-50,SA-15(D): Yamaha의 첫 할로우 바디 일렉트릭 기타SA50: A hollow body model with left-right symmetry. The appearance is that of a semi-solid body, but the unique structure uses no center block.
SA15: A hollow body model sharing the same feature of the SG7’s long horn next to the first string and equipped with two single-coil pickups.
See details on this product in the museum1968SB-7A 일렉트릭 베이스Our top-of-the-line bass guitar sharing a body shape similar to the SG-7. Its scale length of 800 mm (31-1/2") was shorter than the SB-2.
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1969SG-3C 일렉트릭 기타
A completely left-right asymmetrical body with no waist and an extended cutaway by the bass side only. The SG-3C featured simpler controls than the SG-5A and 2A, with the addition of a tremolo unit, in a model sold at a lower price point.
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1971FG1500/2000/2500 포크 기타
A finely crafted guitar manufactured in Japan and leveraging the best materials, components, and craftsmanship that Yamaha had, sparing no effort in development.
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1972FG350E: Yamaha 최초의 픽업 장착 포크 기타
Yamaha’s very first folk guitar with pickups. It had a distinctive look owing to its impressively designed pickguard.
1972YTA 시리즈: Yamaha 최초의 분리형 앰프Yamaha’s first guitar amps that included a power amplifier built into the amp head. Other amp heads of the day were preamplifiers only, with the power amplifier built into the speaker cabinet.
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1974L 시리즈 하이엔드 어쿠스틱 기타
The early models in the L series (the L stands for “luxury”) came to represent the best of Yamaha's acoustic guitar craftsmanship with their well-balanced highs and lows, and superb sustain with clear high registers.
1974GC30A/B/C 커스텀 클래식 기타Yamaha’s strongest achievement in custom classical guitar models born from the mastery of traditional techniques and the design philosophy of Spanish master Manuel Hernandez.
1974SG-175: 현재도 판매중인 SG 시리즈의 원조The forerunner to the current SG series, the SG-175 featured a left-right symmetrical body and arrow position markers. A custom-spec model was later produced upon request from Carlos Santana.
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1975L-51/L-52/L-53/L-54 초-하이엔드 어쿠스틱 기타
L-51: Top-of-its-class custom guitar featuring Yamaha’s revered craftsmanship with an asymmetrical body and a design concept that emphasized sound quality.
L-52: Top-of-its-class custom guitar leveraging Yamaha’s famed craftsmanship with a jumbo body and a design that emphasized excellent chord balance.
L-53: Top-of-its-class custom guitar featuring a gorgeous design and clear, penetrating sound, evidence of Yamaha’s renowned craftsmanship.
L-54: Top-of-its-class custom guitar made by Yamaha’s dedicated craftsmen, featuring a distinctive design and a sound with a strong country feel.
See details on these products in the museum1975스페셜 오더 시스템 출시Based on the L-51, L-52, L-53, and L-54, the 23 spec options in this system let musicians build a guitar which would fulfill their demanding requirements.
1975J 시리즈 기타 앰프The J series were customized for the Japan market with features considered revolutionary at the time, including a model with a headphone jack, and a bass guitar amp model. This series grew to include more than 20 models.
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1976SG-2000/1000: SG 시리즈 중 가장 호평 받은 모델
SG2000: This top-of-line model in the SG series was developed by pursuing the characteristic tone of the SG175 and applying the innovative techniques and technology evolving throughout the SG series. It featured a unique neck-through structure, a sustain plate, and a semi-open humbucker.
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SG1000: This guitar served as the longest reigning standard SG model, evolved from the set-in neck and humbucker concepts established in the SG175. -
1977CJ 시리즈 어쿠스틱 기타
A “country jumbo” series distinguished by its large, resonant body delivering great volume with a relatively firm sound quality.
1977SF-700 일렉트릭 기타A model with the characteristic bright tone of the SF series, plus 24 frets, a smooth top cut that forms to the player’s body, and a back cut for a left-right asymmetrical design.
See details on this product in the museum1977SC-1200 일렉트릭 기타With the SC in its name standing for “Super Combinator,” the SC-1200 was the pinnacle of the SC series with its unique neck-through structure. Features included distinctive bar magnets for the pickups plus the ability to create 13 sound variations with three connected mini toggle switches for the three pickups.
See details on this product in the museum1977SA-2000 세미할로우 일렉트릭 기타The left-right asymmetrical semi-hollow body had a center block in this top-of-the-line model emphasizing tone and performance features, such as a three-point adjustable covered humbucker and over-binding frets for ease of play on every inch of the fingerboard.
1977BB-1200 일렉트릭 베이스 기타Our BB series, which many artists played and which is still popular today, debuted in 1977. It was stacked with many original features such as a unique split pickup—for the D and G string the pickup is close to the neck and for the E and A string the pickup is close to the bridge—and machine heads capable of highly precise torque adjustments. The BB-1200, with its through neck design, was our top-of-the-line model.
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1978SJ-800 일렉트릭 기타
A single cutaway model with a humbucker in the neck position and a single coil bridge pickup to utilize either tone and change between the two with one push of the Bi-Sound Switch. This wide combination of sounds came in a body with a maple top and an alder back.
1978AE-2000: 할로우 바디 일렉트릭 기타 중 가장 호평받은 모델This high-end archtop guitar featured a carved top cut from solid spruce together with the bracing, block inlays on an ebony fretboard, gold parts for the hardware, and tone knobs suitable for coil tapping. The AE-2000 found use in many genres of music.
1978BB-2000: 많은 연주자들로부터 찬사를 받은 스루넥 베이스 기타In 1978, the addition of the BB-2000 raised the bar for bass guitars even higher, featuring a neck through design like the BB-1200, plus equipped a bar magnet type pickup in the bridge position. This model was popular with many players, from jazz fusion to rock and pop artists.
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1979F 시리즈 기타 앰프
Solid state amps were considered to be Yamaha’s tour de force. Models included a myriad of variations, including a 2-channel configuration, a model with a parametric equalizer, and amp head models.
1979JX 시리즈 기타 앰프Models in the JX series met user needs at the time with flexible controls such as a master volume knob and distortion controls.
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1980SF-7000 일렉트릭 기타
An evolution of the SF series’ set-in neck structure and the original through-neck structure of the SG series, the SF-7000 used an open humbucker and different bridges for each model. It shows Yamaha’s continued development to meet the needs of players and changing trends.
1980PSE 시리즈: Yamaha 최초의 이펙트 페달Yamaha’s first series of effects pedals launched with the addition of the SB200 system board for combining 12 types of pedals.
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1982SG-3000: SG 시리즈의 대표적인 모델
The flagship model of the SG series bearing the “custom” guitar title. Newly developed pickups and a narrow bridge for lighter weight were utilized in this instrument, which was developed to meet the demands of players influenced by the heavy metal music emerging in the early ‘80s.
1982BB-3000 일렉트릭 베이스This best-in-class model pushed the evolution of the BB-2000 further, featuring a narrow neck and a deep cutaway body shape offering easy access to the higher frets. The newly designed split pickup was configured in a reversed layout from other BB series, with the position of the E and A string pickup shifted closer to the neck.
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1983CWE 시리즈 어쿠스틱 일렉트릭 기타
Yamaha’s first ever acoustic-electric with a cutaway body. The specialized design was predicated on the use of our independently developed pickups, while the guitars featured 22 frets and a thin body with an emphasis on ease of performance.
1983GC70/70C/71 커스텀 클래식 기타A tour de force, this series grew out of close collaboration with top performers the world over and incorporates Yamaha’s compendium of expertise in traditional techniques and accrued know-how.
1983VX 시리즈 기타 앰프The VX series featured a broad lineup of combo amps with power output from 15 to 65 W, as well as a bass guitar model.
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1984BB-5000: Yamaha 최초의 5현 베이스
Yamaha’s first 5-string bass. The price topped that of the BB-3000, but since there were few high-quality mass produced 5-string basses at the time, this model was adopted by many players.
See details on this product in the museum1984PSE-40A 시스템 보드10 cartridge-type effects pedals and a dedicated system board for connecting and controlling them. Included stereo connectivity.
1984SDS 시리즈 이펙트 페달The launch of the SDS series was an update and expansion of the PSE series, adding the SDS Professional series and New SDS series. The final lineup included 27 models.
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1985SESSON512 볼트온 일렉트릭 기타
Featuring the "Rockin' Magic II" tremolo unit with its exclusive locking system and newly developed pickups utilizing different magnets for different tones, this model reflected the evolving performance requirements of the continually evolving rock music scene.
1985MB-I 일렉트릭 베이스In 1985, the MB series, a medium scale (820 mm) bass, came on the market. The MB-I model showcased plenty of originality in its headstock design, pickups, and bridge.
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1986SFX-I 일렉트릭 기타
An orthodox set-in neck guitar with a carved maple top and mahogany back, and built with newly developed bar-type pickups and a booster switch, the SFX-I satisfied more technical players thanks to its tremolo unit and heel-less, smooth neck joint.
1986RGX-1212 일렉트릭 기타The RGX series, with its 3D headstock design, debuted in 1986. The 1212 was a top-of-the-line model with advanced features including a five-piece maple and mahogany through-neck, an ebony fingerboard with binding, a state-of-the-art tremolo, plus pickups with Spinex magnets on a 628-mm scale length guitar.
1986RBX-800 일렉트릭 베이스 기타The RBX series, with its 3D headstock design, debuted in 1986 along with the new RGX series electric guitar. Its modern design included a deeply scooped out cutaway body, a neck joint conducive to great playability, and a bridge featuring fine tuners.
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1987APX 시리즈 어쿠스틱 일렉트릭 기타
Our unique acoustic-electric guitar marrying Yamaha’s acoustic guitar know-how and electrical technology experience resulting in a high-quality stage performance tool.
See details on this product in the museum1987LL100D: Yamaha의 100주년 어쿠스틱 기타Yamaha's 100th anniversary edition was a supreme combination of Yamaha’s accrued acoustic guitar artistry. Limited to 20 pcs.
1987YEG-100A: Yamaha의 100주년 일렉트릭 기타A limited model sold for Yamaha’s 100th anniversary. Phoenix inlay work accented the beautifully grained top-quality wood and 24-karat plated hardware for an elegant appearance. This combined with the excellent performance qualities, the hybrid pickup system switchable between passive and active, and advanced specs such as built-in LEDs for side position markers.
1987HR 시리즈 기타 앰프The compact HR series managed to offer a low price point and amps suited to the music scene’s interest in heavier sounds at the time.
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1988VR 시리즈 기타 앰프
The VR series took the concept of the F series and expanded it to make 2-channels standard and to offer advanced designs, including a model with stereo connectivity.
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1989Image Deluxe 일렉트릭 기타
These models used a solid structure with a semi-acoustic body shape popular at the time. The design was developed in England rather than in Japan, and the lineup featured three models: Custom, Deluxe, and Standard. Shown here is the Deluxe model.
See details on this product in the museum1989AR 시리즈 기타 앰프The AR series boosted connectability with peripherals thanks to RecOut, FX Loop, and Aux jacks. The slanted front of the speaker enclosure was an expression of the distinctive design elements of these amps.
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1990Weddington 커스텀 일렉트릭 기타
With myriad sound variations thanks to a five-position lever switch and USA-made pickups, this guitar used a new style of set-in neck joint allowing smooth performance even in the upper frets. The model lineup included the Custom, Classic, and Special.
1990PACIFICA912: 현재까지 인기있는 Yamaha의 스탠다드 볼트온 기타The first guitar in the Pacifica series designed by Yamaha Guitar Development at our North Hollywood R&D center, which opened in 1989. This model was stacked with Yamaha originality in a traditional design.
See details on this product in the museum1990Attitude Limited Billy Sheehan 시그니처 모델The Attitude Limited is a signature model that emerged from Yamaha’s relation with Billy Sheehan, following the same specs as Billy's custom-made bass. From the first model on, we never deviated from these specs, which included a “woofer” pickup near the neck, stereo output jacks, different fret wires depending on their position, and a wide scalloped fingerboard.
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1991AES-1500 일렉트릭 기타
This hollow body guitar had an inner block under the bridge only and really sang even at high volumes. It suited various musical genres thanks to the P-90-sized humbucker and Bi-Sound Switch. There was also a model equipped with the Bigsby tremolo.
1991TRB Custom: Yamaha 최초의 6현 베이스 기타A six-string bass with a multi-layer neck through construction and an ebonol resin fingerboard. This top-of-the-line model, with a built-in piezo pickup in the bridge, allowed the artist to create a diverse range of sounds.
1991TRB-6P 일렉트릭 베이스 기타The TRB-6P featured a five-piece maple and mahogany neck through construction similar to the TRB Custom, plus an ebony fingerboard, while the body attached to the neck from the sides.
See details on this product in the museum1991SR 시리즈 기타 앰프Responding to trends in guitar equipment in 1991, Yamaha launched a rack-mounted amp head. The 300 W amp head had a relatively high output for the time. We also simultaneously launched a dedicated speaker cabinet.
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1993연주자 선호도 기반의 맞춤형 Pacifica 세미 오더 시스템
Working from the top model in the Pacifica series (Yamaha’s standard bolt-on guitars), this flexible semi-order system allowed players to specify detailed specs in terms of body material, fingerboard material, inlays, neck shape, frets, and color.
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1994APXT1 컴팩트 기타
A concentration of the design ethic of the APX series into a travel-size package, realizing superb portability and a comfortable, compact form.
1994AEX-1500: 어쿠스틱 사운드와 일렉트릭 사운드의 조합This hollow body model offered the dual benefits of fat sound and acoustic resonance thanks to a preamp system that allowed free blending and equalizing, in addition to a neck humbucker and piezo-electric pickup.
1994BB-NE Nathan East(나단 이스트) 시그니처 모델This signature model created from Yamaha’s relationship with Nathan East featured a beautiful maple body top with a bolt-on maple neck. The deep, nuanced sound was created by original pickups with hum-canceling coils and a three-band EQ. Also available was the BB-NE SELECTED model, designed using rare figured maple for the body top.
1994TRB-JP John Patitucci(존 패티투치) 시그니처 모델Collaboration with John Patitucci led to this signature model that offered tight response thanks to a four-layer body of maple, ash, alder, and maple, plus a maple bolt-on neck construction and low noise double coil pickups. It offers pro-level specs for great performance in tough environments.
1994T 시리즈 기타 앰프These full tube amps were a collaborative project with Michael J. Soldano. They were packed with original features such as seven 12AX7A tubes in the preamp.
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1995GL1 기타렐레 컴팩트 기타
With a smaller body reminiscent of a ukulele, yet performing almost like a six-string guitar, this new mini model offered players the enjoyable sound and performance of nylon strings.
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1997PACIFICA1511MS: Mike Stern(마이크 스턴) 시그니처 모델
This Mike Stern model featured an ash body and one-piece maple neck plus a neck humbucker combined with Hot Rail pickups for gorgeous expressivity in a wide range of styles, from clean tones to blues, rock, and heavy distortion.
1997AEX-500 일렉트릭 기타A new style semi-hollow model with a compact body featuring a front humbucker inherited from the AEX1500 combined with a bridge piezo-electric pickup.
1997연주자 선호도 기반의 맞춤형 BB 세미 오더 시스템This flexible semi-order system allowed players to specify their exact preferences for body material, fingerboard material, frets, colors, and more.
1997DG 시리즈: Yamaha 최초의 디지털 모뎅링 앰프Yamaha’s first digital modeling amp. Chips replaced the unique operations of tubes to reproduce an array of sounds. Specs included digital technology such as preset configurations, user memory, and MIDI connectivity, while a motorized knob is used for the controls. Interest in this series remains high still today.
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1998JR1 컴팩트 기타
A mini acoustic guitar following the design motif of the FG180.
1998CPX 시리즈 어쿠스틱 일렉트릭 기타A series developed around the concept of an acoustic-electric guitar, delivering pure, natural acoustic sound and inspired by the design aesthetic of a mariner’s compass.
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2000DG-STOMP
DG Stomp was an innovative digital guitar pre-amplifier that put the power and performance of the DG Series amplifiers into a rugged stomp box design.They could be used as modeling preamps or multi-effects pedals.
2000SGV800 일렉트릭 기타A unique model that combines vintage feel with a modern sensibility, making it a true original from the body shape to the bridge, pickups, and controls.
2000SBV500 일렉트릭 베이스The SBV series was a broad overhaul that took the SB-7A from the 1960s and repackaged it in a modern version with various different models, such as the SBV500, 800MF, J1, and J2, which were popular with many Japanese bassists.
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2001SLG100N 사일런트 기타™
An all-new series of innovative guitars retaining true, authentic acoustic guitar playability while offering ultra-quiet performance and headphone capability.
2001AG-STOMPA preamp pedal for acoustic guitars. Featured mic simulation and auto feedback reduction for more natural sound from acoustic-electric guitars. Interest in this discontinued series remains high today.
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2002UD-STOMP
An 8-band modulation delay machine supervised by Allan Holdsworth. Its greatest feature is the eight built-in delays, with independent controls for each.
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2003AES620 일렉트릭 기타
This model featured bold body contours with a fine cutaway. The similarly distinctive bridge demonstrates Yamaha’s consistent pursuit of innovation.
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2004MAGIC-STOMP
A pedal that reproduces the effects from the other STOMP series and the SPX series, bundled in one unit. It won high praise for its modulation and delay effects.
2004BBT 시리즈 베이스 앰프Yamaha’s first fully digital bass guitar amp. It offered a compact size and 500 W output with a Class-D amp.
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2005 RGXA2: 놀라울 정도로 가벼운 무게와 독특한 디자인의 기타
This model achieves both significantly lighter weight and a rich body resonance from the new design, and also features LEDs to show which pickup is selected. The white color tone expresses the reduced weight through a unique appearance that gives the feel of an innovative, advanced guitar.
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2006ART 픽업: 어쿠스틱 공명을 현실감 있게 재현
A contact pickup system developed with the goal of producing “real acoustic sound” that is a faithful reproduction of an acoustic guitar’s body resonance.
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2008A.R.E. : Yamaha 오리지널 목재 개선 기술
Yamaha’s independently researched and developed technology for enhancing wood’s inherent qualities to deliver the rich resonance similar to that of an instrument that has been played for many years.
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2009NX 시리즈 나일론 현 일렉트릭 기타
An electric nylon guitar with a modern design that produces the characteristic warm sound of nylon strings.
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2010SRT SYSTEM: 실제 공간감을 재현
Yamaha’s most up-to-date pickup system developed to produce studio-quality acoustic sound akin to capturing the nuances of recording in a room with a top of the line microphone.
2010SG1820: SG 시리즈의 현대적인 재탄생The newest incarnation of the SG series arranged for a contemporary audience and available in three pickup configurations—humbucker, P-90, or active pickups—to accommodate every genre from classic rock to heavy metal. Other features include body finishes and fingerboard inlays suited to each style.
2010BB2024X 일렉트릭 베이스Specially designed for rock music, the BB2024X features a spline joint construction combining with A.R.E. technology, to draw out the inherent qualities of the wood from which the instrument is made, with a body resonance like that of a vintage bass broken in over many years of use. As the apex of the BB series, it relentlessly pursues bolt-on, passive sound, reconciling the string-through design with a bridge that angles the strings at 45º so that they vibrate the entire body.
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2011A 시리즈 어쿠스틱 일렉트릭 기타
An acoustic-electric series with a simple, powerful design and a smooth neck feel, as well as SRT pickups and other features to please purists who desire a real performance guitar.
2011THR 시리즈 데스크탑 앰프Desktop guitar amps developed along the concept of a “third amp.” Digital components offered dynamics and response similar to those from tubes, even at low volume. THR series amps have become extremely popular due to their retro look and feel, and exceptional sound quality.
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2012GC82S/C 플래그십 클래식 기타
The flagship model of Yamaha's classical guitars, with carefully select wood and meticulous craftsmanship that embodies the specialized techniques of both traditional Spanish guitar design and Yamaha’s team of professionals.
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2013TRBX 시리즈: 컴팩트 바디의 차세대 액티브 베이스 기타
An active bass with a compact and lightweight body for easy handling, powerful pickups and a preamp for diverse sound shaping that make it compatible with performance styles of a wide range of musical genres. The 305/304 feature a performance EQ for instantly selecting the parameters best suited to your performance, while the 505/504 feature a three-band EQ for switching between an active circuit for nuanced tone adjustments, or a passive circuit for a more organic tone. A battery life indicator is also built in, making it easy to know when replacement is necessary.
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2014L 시리즈 (2014)
The new Yamaha L-Series combines the very best of traditional and modern: a warm, rich tone thanks to A.R.E. technology, timeless looks, outstanding playability, and performance-ready electronics.
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2015Revstar 시리즈 일렉트릭 기타: 새로운 디자인과 기술로 제작
Yamaha's newest series featuring unique tailpieces and pickup covers, a copper pickguard, and a variety of steel wool finishes, ultimately fusing the design philosophy of custom motorbikes with Japanese technological expertise and Yamaha’s renowned craftsmanship.
2015THR Head 시리즈 기타 앰프 헤드The THR Head series brought the THR concept to amp heads. The digital amps kept their simple controls and offered a design for intuitive soundscaping by guitarists. The new technology of the ultra-dynamic power amp delivered wide ranging dynamics and acoustic pressure much like that obtained from tubes, bringing out great responsiveness and sound variations from picking style, from the guitar body, and from the pickups.
2015SLG200 시리즈 사일런트 기타™Ultra-quiet performance, incredibly natural tone by SRT-Powered pickup system through headphone or line outputs, line-in for jamming and super-compact, collapsible construction make it perfect for practice, travel, recording or stage use.
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2016FG 시리즈 (2016)
The FG series features a state-of-the-art soundboard bracing design developed to produce a new level of richness from mid to lower registers and add a boost in volume.
2016TransAcoustic™ 기타The Yamaha TransAcoustic™ Guitar recreates that incredible experience without needing any external amplification or effects, just the guitar itself. It’s the most inspiring, engaging acoustic guitar you’ve ever played.
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2017SessionCake
Practice by yourself, or link together with other players for a band rehearsal or jam session with no hassle, no space restrictions and no disturbing your neighbors or family.
2017BB 시리즈 (2017)As the go-to instrument for some of the biggest names in bass since its introduction in 1977, players like Nathan East, Tony Kanal, Billy Sheehan, Glenn Hughes, Robbie Takac, Peter Hook, and Jack Gibson have made their signature sound with a BB. The new BB takes the iconic style and versatility of this classic bass, and its legendary sound, to a new level.
2017A 시리즈 (2017)The Yamaha A series takes your acoustic performance to the next level with dynamic, natural amplified tone; a refined, powerful acoustic voice and outstanding playability.
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2018CSF 시리즈 (2018)
CSF series guitars combine the portability of a travel guitar with the focused tone and easy playability of a parlor guitar, while producing a surprisingly full and resonant sound.
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2019THR-II
More power, more sounds, and new wireless options.
2019Atmosfeel™The Atmosfeel™ 3-way pickup & preamp system uses a piezo sensor in the bridge to capture low frequencies, a microphone for low- and mid-range, and our proprietary newly developed thin synthetic sheet soundboard transducer for high frequencies. The result is a full, natural sound with simple controls that make it easy to get great plugged-in tone.
2019FG/FS Red LabelInspired by Yamaha’s iconic “red label” guitars of the 1960s, new FG Red Label folk guitars blend modern inspiration with a timeless design.
2019STORIAInvite music into your life with the stylish and inspiring STORIA series – guitars that reflect your personal style and invite creativity at a glance.
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2020NX 시리즈 (2020)
NX Series nylon-string acoustic-electric guitars were designed to appeal to both nylon-string players in search of superior amplified sound and electric and steel-string players seeking to explore nylon-string tones and textures. The NX3 and NX5 models incorporate the Atmosfeel pickup system, which provides consistently superb sound regardless of volume level.
2020Attitude 30th Billy Sheehan(빌리 시언) 시그니처 모델The Yamaha Attitude 30th bass celebrates the 30th anniversary of Billy Sheehan’s signature series, drawing inspiration from his heavily customized original bass, known affectionately as “The Wife.”
2020BBPH Peter Hook(피터 훅) 시그니처 모델Peter Hook pioneered a singular style that defied convention and became a defining aspect of the sound of Joy Division and later New Order. The Peter Hook Signature BB combines elements of his favorite BB1200S and the BB734A he currently plays on tour with Peter Hook & The Light.
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2022REVSTAR 시리즈 (2022)
Revstar offers finishes inspired by café racer motorcycles, along with advanced pickup switching options, for players seeking a new style or sound.
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